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Old Hand-Carved Burmese Buddha Statue, Gilt Wood with Inlaid Eyes

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SKU

419

Old Burmese Buddha statue carved from solid wood.

Finished with original gilt surface showing natural wear.

Distinctive inlaid eyes and hand-engraved robe details.

Decorated with traditional glass inlay elements.

A handcrafted Buddhist sculpture with strong presence.

€690.00

Estimated Value: €850 – €1,000

Object: Old Burmese Buddha statue

Material & Technique: Hand-carved solid wood with traditional gilt surface. The sculpture is finished with gold leaf applied over a red preparation layer. Construction and surface characteristics confirm manual workmanship rather than modern moulded production.

Surface & Finish: The gilt surface shows natural wear, craquelure, and abrasion consistent with age and handling. Red lacquer residues are visible on the face, hands, and robe folds. No modern repainting or artificial ageing techniques are observed.

Details: The eyes are inlaid, contributing to the calm facial expression. The robe and base are decorated with hand-engraved patterns and traditional glass inlay elements, applied irregularly as expected in hand-made Burmese work.

Construction: The underside is hollowed, consistent with traditional wood-carving practices. Tool marks and internal shaping confirm manual carving.

Conclusion: An old, hand-made Burmese gilt wood Buddha statue with inlaid eyes and original surface characteristics. The valuation reflects material, craftsmanship, condition, and current market demand for comparable Burmese devotional sculptures.

Old Hand-Carved Burmese Buddha Statue, Gilt Wood with Inlaid Eyes

In stock

Description

This old Burmese Buddha statue is hand-carved from solid wood and finished with a traditional gilt surface. The sculpture displays clear evidence of manual workmanship throughout, visible in the modelling of the body, the engraved robe patterns, and the organically worn gilding.

The surface retains extensive areas of original gold leaf, applied over a traditional red preparation layer. Natural wear and craquelure are present across the figure, consistent with age and long-term handling. Traces of red lacquer remain visible on the face, hands, and robe folds, a characteristic feature of Burmese Buddhist sculpture.

The eyes are inlaid, giving the face a calm and attentive expression. Decorative details include finely engraved textile motifs and inset glass elements along the robe and base, applied by hand and irregular in placement, reinforcing the handcrafted nature of the piece.

The underside is hollowed, confirming traditional wood-carving construction rather than modern casting or moulding. Overall, the sculpture presents as an old, hand-made devotional object, valued for its material integrity, surface depth, and craftsmanship rather than precise dating.