Kataka Mudrā Tara Bronze Lot 431

This seated bronze statue of Tara was cast hollow in a traditional Himalayan atelier, using the lost wax method with a copper alloy. The lotus pedestal, formed as a single ring of stylised petals, is integral to the casting and carries the meaning of purity and spiritual awakening. Surface wear reveals small islands of historic fire gilded gold preserved only in the deepest recesses, consistent with devotional handling over generations. Interior oxidation and mineral residues correspond to pre industrial atelier techniques seen in Himalayan regions, including workshops active in Ladakh and West Tibet during the 18th–19th century. The right hand forms a C shaped Kataka mudra, a classical attribute holding gesture associated with offering and blessing. The absence of later mechanical tool marks or modern filler materials supports an 18th–19th century dating. Tara statues of this scale and condition are uncommon in the market, positioning this piece within the mid to upper band for Himalayan bronze atelier works.

Kataka mudra is the classical hand position used to hold and present a sacred attribute, such as a lotus stem or a jewel. The thumb and one finger form a curved C shape, creating a symbolic cradle rather than a closed circle. The gesture expresses the intention to give, bless, or offer wisdom and protection. In Himalayan Buddhist bronzes, this mudra belongs to peaceful female deity forms, including Tara, where the hand conveys compassion, generosity, and devotional offering intent.