Late 19th / early 20th century, later re-gilded and restored
A gilt wooden Buddha statue in Burmese (Mandalay) style, hand-carved and traditionally constructed with a red lacquer base and gold leaf surface. The sculpture shows clear age in its core: deep structural shrinkage cracks in the wood, accumulated dirt and oxidation within the fissures, and an aged, layered lacquer finish on the underside.
At the same time, the surface has been later worked: the gilding has been partially refreshed and the glass inlays were likely added or replaced at a later stage.
Conclusion: an authentic older wooden sculpture (likely late 19th to early 20th century), with later restorations and decorative enhancements.
Investigation Report
This piece was examined through a detailed visual and structural analysis, focusing on the wood core, surface layers, and construction techniques. Particular attention was given to shrinkage cracks, internal dirt accumulation, lacquer layers, gilding, and decorative elements such as glass inlays.
The wooden structure shows deep, natural shrinkage cracks running through the body, with visible dirt and oxidation settled inside these fissures. The underside reveals a layered red lacquer base with clear signs of age and use. The carving technique and hollowed interior confirm traditional hand-crafted production rather than modern manufacturing.
At the same time, the surface decoration presents later interventions. The gilding appears to have been partially refreshed, and the glass inlays are likely later additions or replacements, as indicated by their clarity and setting.
Findings: The core of the sculpture is authentically old, while the exterior has been restored or enhanced at a later stage. This combination is consistent with devotional objects that remained in use and were periodically maintained.
Origin: Myanmar (Burma), Mandalay style tradition.
Estimated period: late 19th to early 20th century, with later restorations.
Estimated value: €800 – €1,400 in the private retail market, depending on presentation and positioning.
Late 19th / early 20th century, later re-gilded and restored
Description
We closely examined the construction, materials, and surface condition of the sculpture to determine its authenticity and age.
This included analysis of the wood structure and carving technique, the presence and depth of shrinkage cracks, and the internal build-up of dirt and oxidation within these fissures. The underside was reviewed for lacquer layers, tool marks, and signs of long-term aging.
We also assessed the surface finish, including the gilding and glass inlays, to identify differences between original elements and later interventions. Particular attention was given to the layering of materials and whether aging was consistent across all components.
Conclusion of the investigation: the wooden core shows clear signs of genuine age and traditional craftsmanship, while parts of the surface decoration have been modified or refreshed at a later stage.
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Late 19th / early 20th century, later re-gilded and restored
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